Latina Writers We Love

Josefina López

July 31, 2009

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9780446699419_154x233 Josefina López

“This is either the longest suicide note in history or the juiciest, dirtiest, most delicious confession you’ll ever hear.” So begins the first novel from Josefina López.

A young American journalist—jaded by war and censorship—breaks off an engagement and heads to Paris to find herself again. She enrolls in a cooking school in order to get a visa, and it turns out cooking school provides just the sort of spiritual awakening she needed.

López is probably best known for her play (and later, the screenplay) “Real Woman Have Curves.” Listen as Maria Hinojosa talks with López about her debut novel Hungry Woman in Paris.

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Bárbara Renaud González

852-gonzalez-text Bárbara Renaud González

picture-3 Bárbara Renaud González

Bárbara Renaud González, a native-born Tejana and acclaimed journalist, has written a lyrical story of land, love, and loss, bringing us a first novel of a working-class Tejano family set in the cruelest beauty of the Texas panhandle. Her story exposes the brutality, tragedy, and hope of her homeland and helps to fill a dearth of scholarly and literary works on Mexican and Mexican American women in post–World War II Texas.

Maria Hinojosa talks with Bárbara Renaud González about Golondrina, Why Did You Leave Me?.

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Sandra Cisneros: Beyond Mango Street

picture-41 Sandra Cisneros: Beyond Mango Street

25 years ago, the world was just beginning to learn about all that goes on at The House on Mango Street. Sandra Cisneros introduced us to Esperanza Cordero and we began to experience, through her eyes, being young, poor, female, and Chicana in America.

Maria Hinojosa talks with Cisneros about life beyond Mango Street.

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Weekly Audio

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Marguerite Casey Foundation
Guest Bios

Josefina López, whose first play was produced when she was eighteen, has become one of the most widely produced Latina playwrights in the United States. Real Women Have Curves won the Audience Award at Sundance in 2002. Josefina moved to Los Angeles when she was five, and attended the Los Angeles County High School for the Arts. Lopez then moved to Wellesley, Massachusetts to attend Wellesley College. She received an M.F.A. in screenwriting from the UCLA Film and Television Department and teaches playwriting and screenwriting to local youth at her CASA 0101 theatre art space in Boyle Heights.

Bárbara Renaud González says of herself: “I am a writer, who has nothing but a pen, books and cats, a dangerous combination.” Her essays/articles have appeared in diverse anthologies and magazines, including The Nation; The Progressive; Ms. Magazine; The Los Angeles Times, and many others.

Sandra Cisneros was born in Chicago in 1954, the third child and only daughter in a family of seven children. She studied at Loyola University of Chicago (B.A. English 1976) and the University of Iowa (M.F.A. Creative Writing 1978). She’s worked as a teacher and counselor to high-school dropouts, as an artist-in-the schools where she taught creative writing at every level except first grade and pre-school, a college recruiter, an arts administrator, and as a visiting writer at a number of universities including the University of California, Berkeley, and the University of Michigan, Ann Arbor. Her book, The House on Mango Street, published in 1984, is required reading in schools across the country.

Further Reading
Further Information